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    • Quick Hit

      Clive Thompson has the story of how Phil Collins accidentally invented gated reverb, the drum sound of the 80s, by leaving a talkback microphone on.

      Normally, the reverb on a drum hit is intense at first, then slowly fades away. But in the Phil Collins drum session, the accidental reverb behaved differently. It had a nice, loud, booming reverb for a moment — then the reverb abruptly stopped. This created a very cool new type of drum sound. It was boomy and huge, but wasn’t messy, because the reverb for each drum hit ended before the next drum hit.

      Gated reverb was used to startling effect on “In The Air Tonight” (watch a first-time reaction video to the song if you haven’t already). Prince jumped all over the drum sound, and it was also used by Kate Bush, John Cougar Mellencamp, Hall and Oates, and Duran Duran.

    • Don’t Panic

      Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I personally feel more generosity towards Chris Martin and crew, some believe “Don’t Panic” is the band’s only good song.1 Whatever the case, the track was certainly a winning way for Coldplay to announce their arrival on the scene.

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    • Heart Still Beats

      I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithm overlords recommended Castlebeat to me after the end of a listening sesh of Black Marble’s Bigger Than Life. I hadn’t listened to Castlebeat in a few years, but remembered them from this fan video using footage from the best movie ever to take place in a Target big box store: Career Opportunities.

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    • New Cans

      I recently hit my 20th anniversary (!!!) at the company where I work. Instead of a gold watch, I got what amounts to about $400 in a foreign currency they call “Spotlight points.” Thought I didn’t pull the trigger right away, my immediate thought was to blow the lot on a pair of Sennheiser HD 650 headphones. I’ve been researching these cans for some time now, but even at a consistent 38% off, a price point of nearly 400 bones meant I wouldn’t just impulse buy these things.

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    • Tapes Of Yesteryear

      Niko Stratis writes about the comfort of physical media and older technology.

      Let us suffer no worries or troubles, we have salvation in our walkmen and their analogue batteries. Never mind the truth of these eras, the 90s and the days before and after are years often cast in imperfect light as moments in time when we were a proper society. That’s not true for all, and you only need to engage with the culture of the time with eyes open enough to see the hardships and downfalls for many. But still, I understand the desire to glamorize it, and hold the past as indelible proof of a better time.

      Pockets have gotten smaller, I’ve noticed, and I imagine that’s because of the shrinking of technology. We don’t have to carry Walkmans and CD Walkmans anymore, and so the pocket industrial complex has responded in kind. Who needs all this space when we no longer own anything we’re able to hold.

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    • The Perfect Indie Pop Song

      A few weeks ago, I saw Mark Robinson from Unrest/Air Miami/Flin Flon open for the Wedding Present at the Motorco Music Hall in Durham. Although the bill clearly stated that Robinson would be playing Unrest songs, imagining him doing those songs without the two other band members, Phil Krauth and Bridget Cross, was challenging. Whatever images I could conjure didn’t match the actual show.

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    • Olly Thoughts

      Olly, the developer of the Pagecord blogging software, just published a post on something I was thinking about with regards to music. I’m not buying a lot of physical media these days, but when I do, it’s usually CDs. I just went to a new record store called Hunky Dory that just opened downtown near me, but they weren’t celebrating Record Store Day. I wasn’t sure about going because I didn’t think I would buy anything. So I can relate to Olly.

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    • You Could Do Anything

      Shelly Ridenour penned an article for Qobuz on the stellar alternative albums from 1991. One observation that I found particularly poignant from having grown up during this period was around the change that Nirvana’s Nevermind brought to mainstream music with regard to gender dynamics.

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    • The Collection

      Everyone has been posting about the Aadam Jacobs collection. Since I love indie music from the 90’s, I’m certainly going to spend some time with the massive 10,000 live recordings collection. I went to the page on the Internet Archive and one of the first recordings I saw was neo-classical band Rachel’s at Lounge Ax. I bought The Lounge Ax Defense and Relocation compilation created to save the venerable Chicago club when it released. I’ve spun that disc hundreds of times. The song Rachel’s contributed to the comp, “Those Pearls…,” is probably my favorite by the band.

      Immediate download. Let’s get this exploration started.

      Fediverse reactions

    • Portland Town

      One of my greatest joys in 2026 has been the release of new material by British riot twee band Heavenly. I’ll admit I approached the release of this year’s brilliantly named Highway to Heavenly LP with a certain amount of skepticism. After decades of radio silence, it’s hard to know what to expect from a long-time favorite and easy to be disappointed.

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