Saturday Night Video

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  • Will You Dance?

    The latest casualty of the streaming wars is The Bird and the Bee’s 2015 album Recreational Love, which unceremoniously disappeared from Qobuz sometime recently. The album still shows up, but lists all the tracks as “unavailable.” Usually this is a sign that the service has loaded a newer version of the album to select. Not so in this case.

    Music by The Bird and the Bee can sometimes be hard to find. The band followed up their first volume of Interpreting the Masters, an album of Hall & Oates covers, with a volume of Van Halen covers. The first is readily available, the second, almost impossible to hear on any format other than used vinyl.1 All the album’s listed on the merch site that the band links to are sold out. When there are so many music services out there, it seems careless not to make your albums available somewhere digitally.

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  • These Dreams

    Heart was the band that broke the glass ceiling and bought women-fronted hard rock to the masses. By 1985, they had expanded beyond just pummeling riffage and Renaissance Fair folk that betrayed their love for Led Zeppelin. They didn’t completely eschew the hard stuff, but they had synths and they were going to use them.

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  • I Set My Face to the Hillside

    Tortoise – I Set My Face To The Hillside (YouTube)

    Last year, I bought TNT by Tortoise on CD from a Discogs seller.1 I should tell you, this sort of activity is as sure a sign of my devotion to a particular album as any. After all, I’ve got access to high-quality digital copies of albums like this through streaming. I don’t need to seek them out on an online marketplace, where, let’s face it, you don’t always know the quality of the merchandise.2

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  • Jim Carol New Year

    With Life in Small Spaces, the upcoming album from Black Marble, the project’s creator, Chris Stewart, taps into one of my semi-obsessions. The album’s description on its Bandcamp page has further details on the clue we are given with the album title.

    It is an invitation to accept and consciously agree to a more minimal lifestyle for the sake of creative expression and freedom, and to never need to compromise your values for the tempting illusion of success.

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  • Heart Still Beats

    I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithm overlords recommended Castlebeat to me after the end of a listening sesh of Black Marble’s Bigger Than Life. I hadn’t listened to Castlebeat in a few years, but remembered them from this fan video using footage from the best movie ever to take place in a Target big box store: Career Opportunities.

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  • Portland Town

    One of my greatest joys in 2026 has been the release of new material by British riot twee band Heavenly. I’ll admit I approached the release of this year’s brilliantly named Highway to Heavenly LP with a certain amount of skepticism. After decades of radio silence, it’s hard to know what to expect from a long-time favorite and easy to be disappointed.

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  • Hurts Like Hell

    Charlotte Cornfield is the latest musician to put out something via Durham, NC’s Merge Records. Hurts Like Hell is also the first long player by the Canadian singer/songwriter since becoming a mother. The title track, “Hurts Like Hell,” wallows in a remembered sentimentality with the advantage of looking at difficulty in the rearview mirror. We all know what it’s like to try to gain perspective when in the midst of a tough situation.

    The video immediately endeared itself to me because its protagonist is wearing a sweater just like one I purchased a couple of weeks ago. The guy looks like he’s kin to Ben Gibbard and plays a sympathetic character who appears to ingest some psychoactive substance along with a confection delivered from an anonymous sender. His enthusiasm for playing the video’s song at high volumes (with bass boost!) outside is a nuisance to his neighbors.

    Charlotte Cornfield – Hurts Like Hell (YouTube)

  • If You Change

    Widowspeak has a new record coming this June and produced a video for the lead single, “If You Change.” I first heard the band when they covered Dire Straits’ “Romeo and Juliet,” a song that never landed with me previously. Widowspeak won me over with the wistful tenderness they gave their treatment of the track.

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  • The Shape of Paris

    This week’s Saturday Night Video is a bit different than the usual fare. It’s technically more of a skate video than a music video (but it does feature music). Powell Peralta-sponsored skateboard pro Andy Anderson and I have very different styles, but I enjoy his skating and his good nature. He’s as unconventional a skateboarder as they come, fitting decidedly old-school tricks alongside new ones, finding endless creativity with whatever objects he comes across.

    The Shape of Paris is as much an intimate look at the streets of Paris as a skate video. Its videographer, Brett Novak, is one of the best in the skateboarding films business and brings a variety of shots that showcase the city’s charms. I’ve only been to Paris once, but I wish my memories of it looked the way it appears in this video.

    via Neatorama

  • Elderberry Wine

    Though I have to admit that I haven’t listened yet, Asheville NC outfit Wednesday’s latest album Bleeds just dropped yesterday. In support of that, I wanted to offer the video for the first single from album, released several months ago to critical acclaim.

    “Elderberry Wine” leans into the more accessible elements of the Wednesday shoegaze alt-country formula. You could even see someone weaned on the thin gruel of contemporary country music developing an appreciation for the reverence of Americana in the song and video. With more hooks than a tacklebox, the song gets stuck in your head for days.

    Wednesday – Elderberry Wine (YouTube)